Thackeray on Cairo - pure old timey gold
0 Comments Published by Tom Gara on Monday, November 20 at Monday, November 20, 2006.I'm going to excerpt a big chunk, but if you have the time, I highly recommend reading the whole thing. Prepare to be Thackeray'ed:
I can just imagine Thackeray having a duel with that guy minutes after that particular exchange. Those were the days....
"The men, a tall, handsome, noble race, are treated like dogs. I shall never forget riding through the crowded bazaars, my interpreter, or laquais-de-place, ahead of me to clear the way— when he took his whip, and struck it over the shoulders of a man who could not or would not make way!The man turned round—an old, venerable, handsome face, with awfully sad eyes, and a beard long and quite grey. He did not make the least complaint, but slunk out of the way, piteously shaking his shoulder. The sight of that indignity gave me a sickening feeling of disgust. I shouted out to the cursed lackey to hold his hand, and forbade him ever in my presence to strike old or young more; but everybody is doing it. The whip is in everybody’s hands: the Pasha’s running footman, as he goes bustling through the bazaar; the doctor’s attendant, as he soberly threads the crowd on his mare; the negro slave, who is riding by himself, the most insolent of all, strikes and slashes about without mercy, and you never hear a single complaint.
How to describe the beauty of the streets to you!—the fantastic splendour; the variety of the houses, and archways, and hanging roofs, and balconies, and porches; the delightful accidents of light and shade which chequer them: the noise, the bustle, the brilliancy of the crowd; the interminable vast bazaars with their barbaric splendour. There is a fortune to be made for painters in Cairo, and materials for a whole Academy of them. I never saw such a variety of architecture, of life, of picturesqueness, of brilliant colour, and light and shade. There is a picture in every street, and at every bazaar stall. Some of these our celebrated water-colour painter, Mr. Lewis, has produced with admirable truth and exceeding minuteness and beauty; but there is room for a hundred to follow him; and should any artist (by some rare occurrence) read this, who has leisure, and wants to break new ground, let him take heart, and try a winter in Cairo, where there is the finest climate and the best subjects for his pencil.
A series of studies of negroes alone would form a picturebook, delightfully grotesque. Mounting my donkey today, I took a ride to the desolate noble old buildings outside the city, known as the Tombs of the Caliphs. Every one of these edifices, with their domes, and courts, and minarets, is strange and beautiful. In one of them there was an encampment of negro slaves newly arrived: some scores of them were huddled against the sunny wall; two or three of their masters lounged about the court, or lay smoking upon carpets. There was one of these fellows, a straight-nosed ebony-faced Abyssinian, with an expression of such sinister good-humour in his handsome face as would form a perfect type of villany. He sat leering at me, over his carpet, as I endeavoured to get a sketch of that incarnate rascality. “Give me some money,” said the fellow. “I know what you are about. You will sell my picture for money when you get back to Europe; let me have some of it now!” But the very rude and humble designer was quite unable to depict such a consummation and perfection of roguery; so flung him a cigar, which he began to smoke, grinning at the giver. I requested the interpreter to inform him, by way of assurance of my disinterestedness, that his face was a great deal too ugly to be popular in Europe, and that was the particular reason why I had selected it."
The whole book can be read online - hosted by my old university, the good old University of Adelaide. Enjoy.
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